When Smart-Glasses Video of You Is Used to Sell Something

The person filmed holds a right the wearer does not, under California's publicity law

Posting an ordinary smart-glasses clip of a stranger is not something the person in it can usually stop. One narrow exception runs the other way: if the footage is used to advertise or sell a product, California's right of publicity gives the person filmed, not the wearer, a claim with statutory damages. Commercial use is the trigger, not posting.

How it started

California wrote a right in a person's face and voice against commercial use in 1971

The right of publicity protects the commercial value of a person's identity. California Civil Code section 3344 makes it unlawful to "knowingly" use another's "name, voice, signature, photograph, or likeness" for "purposes of advertising or selling, or soliciting purchases" without that person's consent.

The US Supreme Court recognised the right in 1977, in Zacchini v. Scripps-Howard Broadcasting, the case of a "human cannonball" whose entire act was aired on the news. The Court held the First Amendment did not immunise broadcasting a performer's whole act without consent, and named the state interest as an economic one in the value of the performance.

What changed since

the protected "photograph" already covered video, and the camera moved onto every face

Section 3344 predates wearables, but its own text reaches them. It defines "photograph" to include a moving image, "any videotape or live television transmission, of any person, such that the person is readily identifiable," and it protects "any person," not only a celebrity.

Smart glasses put an identifiable bystander's likeness into a clip the wearer can keep, share, or occasionally use to promote something. Meta's Ray-Ban glasses shoot 1080p video and livestream to Facebook and Instagram from a frame that looks like ordinary eyewear, which is what makes the captured person's later appearance in a promotion the live question.

Where it stands now

the trigger is commercial use, and ordinary posting sits outside it

The claim turns on a single question: whether the likeness is used "for purposes of advertising or selling, or soliciting purchases." An advertisement, a promotion, a product listing is the lane. Subsection (d) exempts any use "in connection with any news, public affairs, or sports broadcast or account, or any political campaign," and the First Amendment protects expression, so reporting and ordinary posting are not covered.

Where the statute does bite, it carries damages of the greater of $750 or actual damages plus the profits from the use, and it allows punitive damages and attorney's fees. This runs the opposite way to who owns the clip, which is the wearer's: here the right belongs to the person captured. It is California's statute. Only about half of US states recognise a right of publicity at all.

What happens next

nothing is scheduled, and the commercial-versus-editorial line stays where the courts drew it

No statute or court ruling is on the calendar that would move this boundary. The line between commercial appropriation and protected expression is settled doctrine, anchored in Zacchini and, in California, the "transformative" test from Comedy III Productions v. Gary Saderup, and it is applied case by case rather than by any pending rule.

The one genuinely open question, which no court has scheduled to answer, is how that doctrine treats a hands-free capture taken without a deliberate shot. Nothing is filed to test it.

Read the full story

Sources and verification